to watch this film, and all films, for just $6.99 / month. Otherwise you may purchase a
Bekleme Odasi (Waiting Room)
SynopsisThe concluding film in the filmmaker’s “Tales About Darkness” trilogy that includes the previous two features. It tells the story of Ahmet, a widely esteemed film director but who nonetheless feels worthless and struggles to wrap up his adaptation of Dostoyevsky’s Crime and Punishment. The prospect of work fills him with torpor and he is indifferent in his relationship with his girlfriend. He’s momentarily moved when he toys with the notion of casting a burglar he caught breaking into his place as the a that asks whether a man ruled by egotism and arrogance can deliberately choose positive values such as spirituality and solitude. Can the exalted status that used to be granted only to heroes, as reward for their suffering, be taken on by the selfish, morally troubled anti-hero of today?
-
Directed by
Zeki Demirkubuz -
Written by
Zeki Demirkubuz -
Produced by
Zeki Demirkubuz
Written by: Zeki Demirkubuz
Produced by: Zeki Demirkubuz
Cast
: Eda Toksöz: Ufuk Bayraktar
: Serdar Orcin
: Nurhayat Kavrak
: Zeki Demirkubuz
: Nilufer Acikalin
Crew
Sound: Ismail Karadas“Bekleme Odasi” (“The Waiting Room”), which won the FIPRESCI Award at the 2004 Valencia Festival, is a deep reflection on the creative process and about loneliness and alienation. The film was directed, written, photographed and edited by Zeki Demirkubuz, who also starred in it. The atmosphere of the film is dark, as are the ideas of the protagonist. The story is uncomfortable and ambiguous, like real life. The result is a powerful psychological drama and a metaphor of the problems of writers and others artists. The plot begins when film director Ahmet is trying to make a film version of Dostoyevsky's “Crime and Punishment” and believes himself to be arrogant and faithless while others think of him as an idealist, and a man of principles." Oscar Peyrou, FIPRESCI Valencia Film Festival, 2004
"In Bekleme Odası (The Waiting Room, 2003), Zeki Demirkubuz tries to disconnect himself from his aesthetic concerns and stylistic attachments in order to deliver a film that unmasks the mythical approach to auteurism and intellectual intensity. In other words, the film demystifies the idea of the intellectual film director in a rather vulgar manner. Through its consciously inelegant minimalism and distractive spectacle editing, The Waiting Room unpolishes the mystified reality of the auteur director, not only by revealing him in the most casual and ordinary situations, but also by cutting loose from all the predetermined ways of aestheticizing everyday banality" Firat Yucel, Mental Minefields: The Dark Tales of Zeki Demirkubuz, 2007
-
Director
Zeki Demirkubuz

Turkey