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The story behind the creation of the monument, "Carhenge."
SynopsisDid you know that America had its own version of Stonehenge? Located in Western Nebraska, Carhenge has become a huge tourist attraction—and also a center of local controversy. “Sculptor” Jim Reinders challenges a community’s definition of art, freedom of political expression, and appropriate land use development.
Carhenge is a replica of Stonehenge located in Alliance, Nebraska. It was built by Jim Reinders in 1987 during a family reunion, and has become a huge tourist attraction for the state of Nebraska. It's estimated that it draws between 30,000 and 80,000 visitors per year.
This 30 minute documentary explores how and why this monument was built and the opposition it faced from the the town of Alliance. The piece has been illustrated as a clear example of "Americana."
There is a variety of colorful characters, stunning images, great music, and interesting debate about the nature of public art and community involvement.
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Directed by
David Liban -
Written by
David Liban -
Produced by
David Liban - Carhenge: Genius or Junk? Website
Written by: David Liban
Produced by: David Liban
Cast
Crew
David Liban's Carhenge: Genius or Junk? sets out to document the creation, evolution, and controversy surrounding "Stonehenge West" and, in the process, to answer the universal question, What is art? Carhenge, the brainchild of unassuming retiree Jim Reinders, is a to-scale replica of Stonehenge, made out of thirty-eight junked automobiles. Described by its creator as a "transmutation of the English original and a clear illustration of Americana," it has placed its home, Alliance, Nebraska, on the tourist map. While united in their gratitude for the revenue this monument generates, the residence of Alliance remain divided in their opinion of its significance. To quote the creator, "In Alliance there are about nine thousand people and seven thousand of them are art critics." After a few viewings of this thoroughly enjoyable and well-crafted film, I considered the assertion that documentarians are more interested in what they say than in how they say it. I decided to simply explore how the filmmaker uses the media elements of sight, sound, and motion to answer the question, "Is Carhenge art, junk, or a joke?" Using predominately interviews, home videos, stills, and B-roll footage, Liban presents a visually polished film. The interviewees fall into three categories: expert, witness, and, for lack of a better label, peripheral — the druids and the independent filmmakers. The witness group, including the mayor of Alliance, the former city manager, the president of Friends of Carhenge, and the director of the Alliance Chamber of Commerce, are identified with titles. They are given a fair amount of screen time and they are articulate, presenting their recollections of events and/or their personal, although somewhat self-serving, points of view. Except for the president of Friends of Carhenge, these witnesses are photographed in what seems to be a work environment, standing, with available light. The impression is that they are answering a few questions in the middle of their workday. The remainder of the witnesses are what I would call opponents, and I will discuss them shortly.
Berkeley Video & Film Festival -- Grand Jury Award (Won)
James River Film Festival -- Best Short Documentary (Won)
WorldFest Houston -- Jury Award (Won)
Big Muddy Film Festival -- Audience Award (Won)
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Director
David Liban

United States of America