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Tagline

Scientists aim a green bullet at climate change. Bullets ricochet.

Synopsis

A beautiful Japanese translator and a world-weary vehicle emissions technician awake strangely altered by the work of a brilliant scientist. Drawn to each other, their sudden compulsion and suspicions may tear them apart. A film about the dangers of altering the climate even with the best of intentions.

Director's Statement

Woody Allen said it best when he said "just shut up and make your movies".

  • Directed by
    Tom McIntire
  • Written by
    Tom McIntire
  • Produced by
    Michi Murayama
    Tom McIntire
  • Greenspoke Website
Directed by: Tom McIntire
Written by: Tom McIntire
Produced by: Michi Murayama
Tom McIntire

Cast

Sara: Rebecca M. Davis
Dr. Bolé: Judy Jacobs
Carolyn Callow: Marsee Skidmore
Gary Greene: Willard Chase
Governor Callow: Phillip Mitchell
Dr Tracy Thorne: Marcel Davis
John Beryl: Tim Gouran
Ruri Matsushita: Mikano Fukaya
Pete: J.P. Giuliotti
Running Man: Michael Place

Crew

Second Assistant Camera: Staci Bernstein
First Assistant Camera: Angie Bernardoni
Special Effects Make-up Artist: Jennifer Popochuck
Sound Mixer: Matt Sheldon
First Assistant Director: Pepper Brazil
Cinematographer: Ryan Purcell
Gaffer: Mike Commins
Key Grip: James McKenna
Grip: Brody Willis
Script Supervisor: Rhona Rubio

Bumbershoot Films: Algae of Terror! A standout local short at 1 Reel begins in a biotech lab. By Brian Miller The planet strikes back in local filmmaker Tom McIntire's half-hour eco-thriller Greenspoke, but quietly. Unlike the many Hollywood versions (The Day After Tomorrow, Outbreak, etc.), there are no CGI tidal waves crashing down upon Seattle, no fiery explosions, no helicopter armadas bringing George Clooney to the rescue. Rather, the mysterious viral threat is hatched from good intentions, in a biotech lab whose owners re-engineer an algae to eat carbon dioxide and produce energy. It almost sounds like a plausible startup pitch to green investors. In McIntire's short, being screened with other local titles during the 1 Reel Film Festival, the governor attends a press conference for the public/private initiative while demonstrators picket outside. Then, of course, things go terribly awry. Trained as a painter, with some stage acting experience also behind him, McIntire lets the paranoia build gradually, much like the algae that starts creeping all over Seattle. The patented circular organism begins to replicate itself on human hosts! Though he grew up on Long Island as a devotee of afternoon TV sci-fi movies, McIntire is no brash kid fresh out of film school. He brings a mature, grown-up's perspective to his new chosen art form. "You shouldn't have to beg people to support you," he says. "Asking someone to invest in a short film is disingenuous, because they're not going to get their money back." Instead, while teaching himself the craft over the past few years, he set up a nonprofit film studio. To finance Greenspoke's production last winter, McIntire says, "I sold my car and used my severance from WaMu." Now, while planning more short films, he's also shopping around a zombie feature. The ominous, unhurried tone of Greenspoke, and the scenes played with minimal dialogue, reflect McIntire's avoidance of the usual horror shocks and titillation. His cast—comprising local stage talent—looks real and reacts with real confusion to a plague the movie leaves somewhat mysterious. "There's enough emphasis on people in their 20s," says McIntire. "I'm sick of pretty-people movies." bmiller@seattleweekly.com

Greenspoke was shot in Seattle on the RED Camera - the director's first experience with a tapeless workflow. "What do you mean it's all on the hard drives?"

The screenplay was a semifinalist in the 2008 Shriekfest Short Sci-Fi Script Competition.

Come to an evening of two films by Tom McIntire and some other fun, all to benefit the non-profit film studio, Smiling Z Studios. Tickets and additional information:
http://www.brownpapertickets.com/event/71581

Greenspoke just won an Accolade Award of Merit and has been nominated for Best International Film Under 50 Minutes at the International Film Festival Ireland.

  • Tom McIntire

    Director

    Tom McIntire