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Joey and Jerome's Artistic Meaningful Independent Film
17 minutes | 17 or older | 2010 |
United States of America
Inspired by an by their first exposure to indie films, two young men attempt to make their own independent masteripiece … with no money, resources, or experience.
Synopsis“I’ll detonate the nukes in 24 hours unless you surrender the command codes.” If those words ain’t spoken in a movie, Joey and Jerome ain’t watchin’ it. After spending their entire lives watching Bruce Willis, Jason Statham, and Vin Diesel fill various Englishmen, Russians, Germans, nonspecific Middle Easterners, and the occasional Asian full of hot lead, the two get a wakeup call when Jerome’s sister lends them several of her arthouse flicks on DVD. After an indie movie marathon, the pair are so inspired they immediately begin work on their own independent masterpiece … with no money, resources, or experience.
Director's StatementI blame "Joey and Jerome's Artistic Meaningful Independent Film" on Garden State. I saw this movie in the theater, and as I walked out, it hit me that many of the independent films I'd seen in the last couple years (including Garden State) had something in common. . .extreme (and often extremely FORCED) quirkiness. These films had many similarities --characters with symbolic/meaningful names, characters with unusual jobs, a quirky, alterna-chick/hippy girl for the lead character to fall for that you (the audience) were also supposed to love. . .the list goes on.
Earlier that year (2004) I had made "Joey and Jerome's Excellent Action Movie", a short film where two clueless guys had been so amped up after watching a Ben Affleck action movie (these actually used to exist) that they made their own very crappy, no-budget action movie. I wondered "What if Joey and Jerome saw a few forcedly quirky independent films and thought they were all like this? What kind of movie would they make?" And the idea was born.
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Directed by
Josh Bass -
Written by
Josh Bass -
Produced by
Josh Bass
Written by: Josh Bass
Produced by: Josh Bass
Cast
Joey/Velociraptor Van Hagar: Albert VaraJerome/Persistence Van Hagar: Tony Salinas
Strawberry Malaise: Luci Christian Bell
Crew
Writer/director/DP/editor/music/sound: Josh Bassgrip/PA/camera operator/boom operator: Michael Bell
grip/PA/boom operator: Matthew Bell
Grip/PA: Amy Lorino
Gulf Coast Film Festival (Houston)
Zero Film Festival (Los Angeles)
Myrtle Beach International Film Festival
Festivus Film Festival (Denver)
World of Comedy Festival -- Best Short (Won)
Backseat Film Festival
Indie Spirit Film Festival
Crossroads Film Festival
Skyfest Film Festival
Houston Comedy Film Festival
Faux Film Festival
Josh Bass didn't do auditions, but rather knew his cast beforehand. He'd known and worked with Albert Vara on any number of projects since college, and met Tony Salinas while volunteering as a videographer/editor/writer/director/ on the public access show "Texas Live." He met Luci Christian-Bell (then Luci Christian) while working at an anime distribution company where Christian-Bell did a lot of voiceover work. He simply asked her if she'd be interested in the role. After she read the script, the answer was "yes."
"Joey and Jerome" was shot over three consecutive weekends (six days totals) in nasty December weather in 2006. Josh Bass acted as director and DP on set, and was assisted in every possible way by Michael Bell, who was the only other crew member (except for one day where Michael's brother Matthew helped with boom operation).
All interiors were shot at Josh Bass' strange cottage apartment, outdoor locations included a nearby park and Bass' apartment's front yard.
The shoot schedule was built around actor Tony Salinas' own schedule, as we was in Houston (he resides in Austin) for those three weekends specifically to do a play.
The project was edited in Sony Vegas 6 and took 9 months (Bass single-handedly handled editing, sound polishing, and color correction) to get to the "final" cut with a length of 33 minutes. After feedback from colleagues, the film was cut down to 24 minutes, and again much later to 17, its current length.
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Director
Josh Bass

