Julie, a young babysitter, finds herself constantly disturbed by the young girl she is babysitting one night. Julie assumes the girl is just having nightmares, but little does she know – the nightmare is in the home. I love it when a horror films needs little time to give me a few good chills, and Red Balloon did just that for me. The idea of a babysitter facing any type of horror is not an original idea, but when you can take an unoriginal idea and still keep the viewer engaged then you have a winner. Our story is constantly moving with little time wasted and nothing but proper development taking place, which thankfully did not take very long for things to really get going. The horror provided was excellent, and came via a sweet twist very reminiscent of the incredible clown scene from Amusement. It was not an original idea, but it was one that is rarely used despite being creepy as hell and guarantee to deliver goose bumps as it did for me. The film does end rather abruptly, especially when all you want is more of the awesome antics going on, but hey – this is a short film. Writers/directors Damien Mace and Alexis Wajsbrot, SFX maestros by trade, did a fantastic job delivering this film to us. The atmosphere is perfect, the sets are great, we get good performances from all (two) involved, and they execute the horror to perfection, resulting in some darn good chills that I did not expect to see in a short film. Overall, Red Balloon is a great horror short that provides an effective story that results in great horror thanks to awesome direction. At only 13 minutes total the film will not provide as much horror as a full length effort, but the amount of horror you get in such a short package makes for a highly recommended watch if you can find it.

Alexis Wajsbrot and Damien Mace have developed an extensive understanding of filmmaking by working in post-production visual effects. "Red Balloon" is their directorial debut, an opportunity to put their current skills and experience to the test, before moving on to directing features.

"Red Balloon" aims to provoke thoughts and emotions by tapping into something we all share: our childhood fears.

The latest technology was used to ensure that wherever the directors' imagination lead them, it could be captured and made it into the final cut. A decision was made to use probably one of the most talked-about cameras: the RED cam. With polished visuals and a horror-thriller atmosphere, "Red Balloon" proves that short films can aim for the same ingredients as a feature: high production values.